The Power of Nature:

A Ten Thousand Square Meter Painting in Beijing

自然的力量:一万平米作品在北京

2018.5.18

工人体育场

Workers’ Stadium

 

尤伦斯当代艺术中心(UCCA)携手艺术家赵要,于2018年5月18日在北京工人体育场呈现艺术项目“自然的力量:一万平米作品在北京”。此次项目将呈现艺术家历时三年完成的10, 000平米大型装置作品:艺术家将这件长116米、宽 86米的大型装置作品置于人迹罕至的自然环境中,经历半年的风吹日晒后撤下并回收展示。这是作品撤回至城市后的首次展示,是作品最重要的发展和全新的延续。

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A Painting of Thought I-542 | 很有想法的绘画 I-542

A Painting of Thought I-542 is a work that is composed of three paintings. As a further step in the development of A Painting of Thought, brand-new texture and pattern are added into color blocks of high-purity acrylic, which triggers reactions to “the marbled” as a collective aestheticism on different cultural and cognitive levels. The reactions are then taken into the work as a part of the experience. The mass-produced, ready-made fabric and patterns in the same batch but in different colors are used repeatedly in the work, which demonstrates the “systematization” in industrial products that is transformed into an aesthetic move. The pattern of “thinking puzzle” duplicates itself for multiple times on the fabric and is applied to the fabric in the same way. The “undifferentiated” aestheticism presented by the “systematization” of mass production is carried into the experience of the work. The halo of the thick acrylic colors imitates the gloss of the highlight of children’s plastic toys, through which process the gloss of plastic products in the everyday experience of contemporary society is put into the painting and is transcended. A Painting of Thought is both serious and playful.
 
A Painting of Thought I-542
Each 180 x 200 x 8 cm, 4 paintings in total
Material: Acrylic on found fabric

简介: 全球青年文化之声 | www.vice.cn | 微博@VICE中国 |艺术家赵要完成了一件面积将近10000平方米的装置作品,从北京工厂运往青海玉树的摩耶寺。11月23日,当地100多名村民和喇嘛出动,经历一整天,共同把这个庞然大物抬到海拔5000米的雪山山顶,铺展开来。实施当天,我们和艺术家与作品一起坐在在大卡车里穿过长长的峡谷,来到雪山脚下,纪录下了这个作品的向山顶的搬运过程。

向雪山搬运一万平方米

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【预告】赵要最新10000m²大型装置”精神高于一切”11月23日即将呈现

2016.11.23 Spirit Above All

10, 000-square-meters work

Will be on display here

On November 23, 2016, Zhao Yao’s latest large-scale art work, Spirit Above All, will be carried out at Moye Temple in Baizha at Nangqian County, Yushu autonomous prefecture, Qinghai province. The 116-meter-wide-and-86-meter-long work is the continuation and development of Zhao Yao’s 2012 work of the same name, Spirit Above All. After more than two years’ preparation and production, the work has been successfully transported to the mountain of Moye Temple at the end of October. With the assistance and support of the temple and Chakme Rinpoche , the work will be carried to the snowy summit by more than 100 local villagers and then unfolded there, almost 5000 meters high above sea level. Selecting patterns of thinking puzzles from the series A Painting of Thought and employing large-scale Tibetan Thang-ga cloth sticker technique, the new Spirit Above All is produced according to the size of Thang-ga at Moye Temple (120×80 meters). The 10, 000-square-meters work will be installed at the mountain top, alongside the existing Buddhist sutra streamers, white pagoda, and cliffside murals in the valley, echoing the local natural and cultural environment. The work will be exposed to natural environment for a whole winter and then be collected and displayed. The project aims to establish multiple cultural projects via local cooperation under the theme of “drying painting”. Meanwhile, various changes of the work will be monitored and recorded, throughout which process the work will accept and welcome visitors continuously.

Please stay tuned! Details »

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他为什么要把机场做成地毯?现成品与抽象的艺术

整个人类历史,有一场巨大的抽象

赵要在金盏乡的工作室是典型的厂房,有一千平米左右。他有两个关于艺术的观念非常吸引人:第一,对现成品的运用不再是杜尚式的对现成物质的语境置换,例如大家熟悉的把小便池置换到美术馆,而是对现成思维的置换语境,也就是对教育习惯,审美习惯等精神习惯的重新审视和调离原岗位;第二,抽象艺术对他来说,不仅仅是形式的抽象,例如康定斯基的色块和波洛克的泼洒,而可以是对人类集体无意识的再现式抽象。

对现成思维的语境置换体现在很多作品中,比如赵要的系列绘画作品:《很有想法的绘画》。他的原理就是将非常常见的丙烯颜料在画面上堆积出厚厚的质感,然后将其慢慢打磨,出现一种塑料的感觉,整个画面完全不再是通常审美习惯中的丙烯绘画的平面感,而会给人一种塑料玩具的感受。再比如他在行为作品《伟大的表演》中设计的道具,就是在两块毛茸茸的假动物皮上,打印出两张新闻图片。这两张含有警察、围观群众、治安纠纷的新闻图片被抽象成一种万花筒般的图案,从远处完全感受不到现实和新闻的压力,而是一种被抽象和陌生化的美感。再由演员披挂上这两张动物皮进行萨满巫师一样的游走,给现实、潜意识、审美和宗教,都提出了一个充满魅力却无法解答的问题。把抽象转移到历史政治层面,则是赵要提出的一个革命性的概念。这个概念罕见地得到了西方抽象艺术史的承认。尽管中国传统的抽象完全自有其源深博大,西方的现当代抽象艺术却有一种血统性的傲慢,作为当代艺术的游戏规则制定者而一直很难接受其他文化的抽象艺术。
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赵要 |最后一个鸡蛋  ZhaoYao |The last egg

赵要谈最后一个鸡蛋

现居北京的观念艺术家赵要一直关注艺术形式背后起决定作用的诸多因素本文中赵要讲述了此次在北京公社最新个展最后一个鸡蛋的整体构想以及艺术在当代社会中如何通过对信息的调度和再处理成为捕捉和改变集体意识的有效载体展览将持续到108

我一直觉得在我的创作里没有什么个性可言所谓的特点个性其实是通过分析集体意识里的现象我称之为信息再对其进行重新加工再造而形成的而这种特点也是外部集体对所有这些东西重新审视之后产生的认识具体到这次展览我们花了大半年的时间制作一种人造蛋壳涂料试验了很多次最后在一名树脂化工专业的教授帮助下确定了现在的这个配方蛋壳涂料涂在第一个展厅的四面墙上但有特定的图案”。这些图案实际取自各行各业用来做数据分析的曲线图我选了波动比较大的7-8张图拼成一圈从形式上看这些锯齿状的起伏线很像剥开的蛋壳加上涂料的颜色一进门就会改变观众对白色墙体的印象让原来展厅的白墙看上去很有营养像鸡蛋的蛋白整个展览强调的也是这种调度关系作为生命和营养象征的蛋壳与作为理性分析工具的曲线图结合在一起能够引导出我们内部的很多情结无论是对自然的潜意识欲望还是对理性的依赖这跟我最近在四方美术馆展出的作品宇宙黑在旋转》(2016)有一定联系作品中铝板上涂的黑色颜料是奔驰汽车的一款喷漆这么工业化的原料却被叫做宇宙黑”。不光是奔驰所有国产车进口车都有类似的颜色命名系统我觉得这在某种程度上揭示了我们内心对大自然或风景的一种潜意识欲望或抽象认识那件作品比较有意思的一点是,“宇宙黑这个名字跟天空以及整个装置仰望天空跟随太阳的动作之间永远处于某种循环关系中这次的作品同样如此一方面我们需要用曲线图这种理性工具去总结过去分析未来获得某种可控性而另一方面蛋壳的易碎特质永远是不可控的就像用这种涂料涂墙你不可能控制得了最终呈现的效果总有意外发生墙面总在不断剥落

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Cosmos Black is Spinning Around

Cosmos Black is Spinning Around | 宇宙在黑在旋

金属漆,铝板,太阳能双轴跟踪器,金属支架
metallic paint, aluminum, dual-axis solar tracker, metal stand
尺寸可变 | size variable
起始时间:2016.6.5
一块覆盖了“宇宙黑”的黑色方块被安放在全自动的双轴太阳能跟踪器上面。从此它将仰望苍穹永远追随着太阳运动。宇宙⿊黑是奔驰汽车的191#颜色

A piece of the “Cosmo Black” square was placed on top of the automatic dual-axis solar tracker. From now on it will look to the dome of the blue sky above, always following the movement of the sun. Cosmo black is Mercedes car standard color 191.

 

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《很有想法的雕塑》2016/A Sculpture of Thought

A Beautiful Disorder/Jul 3rd – Nov 6th
CASS SCULPTURE FOUNDATION
Similar to the A Painting of Thought series, the work contemplates issues essential to art from a three-dimensional perspective. Therefore A Sculpture of Thought and A Painting of Thought have a parallel relationship. The form of the sculpture also adopts directly from brain-teaser puzzles, everything is ready – images, colours, structure. All kinds of apparent visual elements combined with hidden abstract concepts are of essence to the creation of this piece. Through the manoeuvring of rational experience, texture of the material, visual recognition and all aspects of physical + mental sensations, the work forms a sudden satisfaction in pursuit of meaning. The material PVC plastic is widely used in the manufacturing of children’s slides, and the form of the sculpture is blown to 6 meters tall and placed in the reality of our social environment. The installation method also mimics construction toys, further lightens the sculpture with the plastic shine that’s apparent on actual children’s toys – a divine aura of the sculpture. A playful yet serious way of responding to the daily experience of plastic goods and their sparkles as the highlight of their times. The methods of evaluating / appreciating art elevates the position of gaming, yet at the same time the mundaneness and straightforwardness of gaming from both sensual and logical perspectives re-evaluates our aesthetic habits.
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PAINTING OF THOUGHT/很有想法的繪畫

2015.01.15 – 02.26 | PACE HONG KONG

Written by Zhao Yao

 

Painting of Thought is a very apt and fitting title for these works. The two books that provided the source images for these paintings say the following on their covers:

 

  1. A magical book full of challenging wisdom, geniuses around the world are playing 1000 Thinking Games. Why are Japanese people so smart? An American had a sudden realization that thinking is built through play. (A must read for the never-surrendering Chinese. Nanhai Press, 2005.)

 

  1. Top international thinking games to rapidly unlock your mind’s potential. The 600 thinking games played by all the top students in the world will help you grasp effective methods for enhancing cognitive abilities, heightening powers of observation, analysis, logic, deduction, judgment, imagination, creativity, memory, thinking and action. The more you play, the smarter and more successful you will become. (600 Thinking Games from a century of Harvard students. Huawen Press, 2009.)

 

From the first painting, Painting of Thought has a sense of mission. How do we look at a painting? How do we understand a painting? How do we create a painting? This series approaches fundamental questions of art from the perspective of painting, particularly abstract painting. Unlike conceptual art in the general sense, this series is not expressing certain criticisms or concepts but instead practicing criticisms or concepts. First, everything here is readymade. Readymade images, readymade colors, readymade fabric, and a readymade understanding of painting. Furthermore, these readymade understandings and concepts of painting are produced by these readymade images, forms and materials. This also includes the understanding and ways of thinking about painting produced by existing art history education and artistic experience. The various visible visual elements and invisible abstract thoughts serve as the fundamental elements of creation, just like the colors and brushstrokes of painting, and they are combined together according to an internal logic and order. Details »

奇迹 美兰机场 小

HARMONIOUS SOCIETY/天下无事

27 SEPTEMBER – 23 NOVEMBER 2014

 

Zhao Yao

Wonder, 2014

奇迹

Zhao Yao has created contoured carpets featuring aerial views of Chinese airports undergoing development and expansion, reflective of the country’s rapid urbanization. Visitors are invited to walk across the carpets, like the travellers who pass through these airports, and when the exhibition is finished, they will bear the traces of those who have passed by.

HARMONIOUS SOCIETY/天下无事

Responding to the Asia Triennial Manchester 14 (ATM14) theme of ‘conflict and compassion’, this exhibition will be seen from an international perspective, re-examining the ‘conflicts’ as well as the ‘harmony’ of China, or indeed, the Greater China, and that of Asia and the world.

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万物有形

The Armory Show /纽约军械库艺术博览会 2014

 Private View: Wednesday, 5 March 2014, 2pm to 5pm (by invitation only)
Vernissage: Wednesday, 5 March 2014, 5pm to 8pm (by invitation only)
Public Days: 6-9 March 2014

Zhao Yao’s diverse practice incorporates installation,painting, video, photography, and other media. With a conceptual rigor, wry wit, and critical imperative uncommon for an artist his age, Zhao’s artwork reects on and deconstructs modalities of production and dissemination within contemporary art.

For Armory Focus: China, Beijing Commune will present a set of new works from Zhao’s series “A Painting of Thought”along with a new installation piece The Form of the Ten Thousand Things . “A Painting of Thought” appropriates the visual language of brainteasers to form quasi-modernist painting installations on found fabric. A more direct translation of the series’s title is “Very Clever Painting,”hinting that the artist is not merely interested in the abstract aesthetics of mental puzzles, but also in the individual and cultural constructions of meaning, by both artist and viewer, that mediate the experience of art. The tongue-in-cheek name of the series may refer to the tendency among audiences to “decode” and reduce artworks into packaged, easily digestible messages.

Zhao’s new installation piece The Form of the Ten Thousand Things inspires its title from renowned East Asian art historian Lothar Ledderose’s book Ten Thousand Things. The book describes modular systems of cultural production in ancient China, that is, the production of objects and cultural systems out of standardized parts. For his piece, Zhao takes as his medium die-cutting molds used in printing. The artist is interested in the metaphorical implications of these molds, which embody a peculiar conceptual duality of form and formlessness, abstract concept and physical product.The plating of the metal and imitation monumental appearance of the work imply a sense of reverence, though not without skepticism.

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“Archipelago”,group exhibition /群岛

15 September – 6 October 2013


V-Art Center and Art-Ba-Ba Mobile Space is proud to announce “Archipelago”, an group exhibition academic guidanced by Liu Xinghua consisting of six individual artists; He An, Zhao Yao, Ding Li, Zhang Jiebai,Lu Pingyuan and Liao Guohe presenting their newest works at V-Art Center. Archipelago is by definition a cluster or collection of islands. Based partially in Beijing and Shanghai they have come together as a set of islands forming an archipelago for the audience to explore. “Archipelago” is a condition a state of mind, together they share the same values acting as a dispersed force. As with today’s society, where we emphasize individality, separating, sometimes even isolating, ourselves from the idea as an collective. What “Archipelago” is about is that although in the midst of today’s society where an individual may seem as an isolated islands, we’re actually a part of something larger. If we’re willing to step outside our own islands, there’s more to discover in our near surroundings. In a lot of senses we need to take our environment into account. Therefore “Archipelago” is not a theme, there’s no hidden agenda but rather a condition of these five artist’s at the same time refecting today’s society.

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Spirit above all III-69_acrylic on denim_200x222x8cm_2012-2013

Zhao Yao: Spirit Above All

Voon Pow Bartlett

Yishu Volume 12, Number 4, July/August 2013

According to Pace London Gallery press release, the artworks for Spirit Above Allwere brought to Tibet to be blessed by a “Living Buddha.”[1] This is documented through mural photographs of the Tibetan landscape that provided the backdrop on the walls of the gallery upon which the paintings are hung. The press release also informs us that the artist is “fascinated by the relationship between art and its audience,” creating an “on-going cycle of self-assessment, and reconstruction of the old to produce the new, a process the artist describes as ‘self-consumption’.”[2] Zhao Yao expresses the wish to challenge how art is perceived, that ‘‘the attention should never be on the paintings themselves, which I deliberately repeat in different series to deconstruct their visual power, but the concept behind the forms. I am interested in the way we look at exhibitions and how our pre-existing knowledge, whether cultural, religious, or political, affects our perception of art. I like to provide context for my works, but not to disclose my own opinion so the discussion can remain open. In the same way that the puzzles I use aim at training one’s brain to think logically, I want my exhibitions to challenge people’s conventional way of looking at art.”[3]

 

Spirit Above All consists of a series of paintings, nine in all, executed with acrylic on denim, averaging a size of 250 x 200 x 8 cm. The colour scheme of the installation gives an impression of a grey day in London. Nevertheless, I found myself drawn to the shapes and patterns on the canvases and challenged to recall my mathematical training. There were circles combined with triangles to look like rabbit ears, circles on squares, cuboids that look like square rooms placed on their sides and some on their oblique sides, with their roofs sliced off, providing views from the top, like scenes from ancient Chinese paintings. Pentagons, octagons, parallelograms, and intersecting rings, executed in black, white, and light grey on stripy bluish denim canvases.

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