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【预告】赵要最新10000m²大型装置”精神高于一切”11月23日即将呈现

2016.11.23 Spirit Above All

10, 000-square-meters work

Will be on display here

On November 23, 2016, Zhao Yao’s latest large-scale art work, Spirit Above All, will be carried out at Moye Temple in Baizha at Nangqian County, Yushu autonomous prefecture, Qinghai province. The 116-meter-wide-and-86-meter-long work is the continuation and development of Zhao Yao’s 2012 work of the same name, Spirit Above All. After more than two years’ preparation and production, the work has been successfully transported to the mountain of Moye Temple at the end of October. With the assistance and support of the temple and Chakme Rinpoche , the work will be carried to the snowy summit by more than 100 local villagers and then unfolded there, almost 5000 meters high above sea level. Selecting patterns of thinking puzzles from the series A Painting of Thought and employing large-scale Tibetan Thang-ga cloth sticker technique, the new Spirit Above All is produced according to the size of Thang-ga at Moye Temple (120×80 meters). The 10, 000-square-meters work will be installed at the mountain top, alongside the existing Buddhist sutra streamers, white pagoda, and cliffside murals in the valley, echoing the local natural and cultural environment. The work will be exposed to natural environment for a whole winter and then be collected and displayed. The project aims to establish multiple cultural projects via local cooperation under the theme of “drying painting”. Meanwhile, various changes of the work will be monitored and recorded, throughout which process the work will accept and welcome visitors continuously.

Please stay tuned! Details »

Absolute Collection Guideline

绝对收藏指南

2015.98-10.8

Sifang Art Museum is pleased to present its first collection exhibition titled “Absolute Collection Guideline”, on view from June 8th – August 8th, 2015 at 9 Zhenqi Road, Nanjing. Based on the museum’s permanent collection, the exhibition will have a strong focus on recently acquired works from over twenty Chinese and international contemporary artists. This marks the first time for the museum collection to be open to public. The show will explore the various forms of expressions through a range of medias practiced by contemporary artists today. As it’s a loosely curated collection show, viewers can spend more time to reconnect the various points of ideas that exist between artworks, as well as to rediscover the power of individual works of art. Significant works from the prestigious Hugo Boss Prize winner Paul Chan and Danh Vo will be presented alongside a large scale venetian blind installation by acclaimed South Korean artist Haegue Yang. Major portion of the show consists of Chinese artists of both established and up-coming nature such as Wang Xinwei, Qui Xiaofei, Li Ming, Zhao Yao etc, as Chinese contemporary art still makes up most of the museum’s permanent collection. Japanese artists Takashi Murakami, Yayoi Kusama and Yoshitomo Nara are also part of the collection and are selected to be exhibited this time. Details »

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昨天深夜Y先生和大艺术家们【在三里屯跳大神】

2015-09-15 18:26  Ymedia(Y先生)

昨天凌晨两点钟,Y先生在三里屯太古里漆黑的某家店里亲眼目击了一件非常可怕的事,天了噜!好像看见衣服成精了……

关于这件非常诡异的事,Y先生还寻找到了一段故事:

鬼 剪

从前有个裁缝,被个满脸是毛,长着五条腿的鬼爪了,鬼说他小姨子的小孩满月,他需要一件华丽,与众不同的衣服,叫裁缝做出来,如果做好了,送他件宝物;做的不好,就把他拿去喂虫。那个虫屁股上有根刺,背上像液晶大屏幕一样全部都是人的脸,应该是那些被它吃掉的人,身上花纹随着呼吸会动。裁缝只能答应。鬼给他一把剪刀,这把剪刀能剪很多东西:剪山,剪河,剪季节,还能剪时间和光。凭借着自己的才华,加上这把剪刀,经过好久终于把衣服做出来了。鬼也说话算话,把剪刀送给了他。很多年过去了,这把剪刀今天在哪谁也不知道…

好了!Y先生不犯中二病了,昨天夜里也没看见鬼。Y先生只是昨天夜里两点围观了一下三位大艺术家何岸、陆平原、赵要以及UCCA的尤馆长一起在三里屯太古里的JNBY美丽旗舰店里布了一个展。而前面那段鬼故事,正是其中一位大艺术家陆平原为这个展览写的。

没有错!尊贵的B神清场看卢浮宫,屌丝就只能排队2小时入场。谁要在今天和一大帮媒体抢开幕新闻,Y先生就是要尊贵的独家报导昨天晚上布展时候的大抓马啊。

还是别跟LOW货聊艺术了【因为他们都是这样看展的】

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About Painting Too

与绘画的动作有关

2015/08/22-2015/11/01

“About Painting Too” is the second in a series of exhibitions that each addresses a topical issue within art today, and with particular reference to art in China. This year, young curator Pu Hong was invited to present a topic of his choice. Continuing the critical engagement with painting that was explored in the first exhibition in the series, “About Painting” in the spring of 2014, Pu Hong again takes painting as his subject. Through the work of eight artists, he selects a range of older and more recent works, each of which is distinctive of the style and approach for which each of the artists are known. Several, including Xu Zhen/MadeIn, Zhang Enli and Ding Yi, are very well known indeed and have, in recent years, been the subject of a series of large-scale solo exhibitions in China and abroad. In their especial way, Wang Chuan, Yang Shu and Xu Hongming have each made a significant contribution to the language of abstract painting in China, while the younger artists included here, Wang Guangle and Zhao Yao, bring the distinct energy of their generation to the art they produce.

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Adventures of the Black Square/黑色方块的历险

Abstract Art and Society 1915–2015

Whitechapel Gallery

Opening on 15 January, this epic show takes Kazimir Malevich’s radical painting of a black square – first shown in Russia 100 years ago – as the emblem of a new art and a new society. The exhibition features over 100 artists who took up its legacy, from Buenos Aires to Tehran, London to Berlin, New York to Tel Aviv. Their paintings, photographs and sculptures symbolise Modernism’s utopian aspirations and breakdowns.

Presented chronologically the show follows four themes:

‘Utopia’ is expressed through Malevich’s black square, the progenitor of new aesthetic and political horizons, seized by artists from Vladimir Tatlin to Hélio Oiticica.

‘Architectonics’ presents floating geometries that propose new social spaces as imagined by Lyubov Popova or Piet Mondrian and Liam Gillick.

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INSIDE CHINA

L’Intérieur du Géant

20/10/2014 – 11/01/2015

With : Renaud JEREZ, LI Gang, Edwin LO, NADAR, Aude PARISET, WU Hao, YU Ji, ZHAO Yao, CHENG Ran

In the context of its international mission, the Palais de Tokyo chose curator Jo-ey Tang to travel to China and Southeast Asia. After a year of prospection, Inside China presents a selection of five Chinese artists in dialogue with three French artists including the renowned Nadar.

ZHAO YAOINSIDE CHINA : L’INTÉRIEUR DU GÉANT

 20/10/2014 – 11/01/2015

奇迹 美兰机场 小

HARMONIOUS SOCIETY/天下无事

27 SEPTEMBER – 23 NOVEMBER 2014

 

Zhao Yao

Wonder, 2014

奇迹

Zhao Yao has created contoured carpets featuring aerial views of Chinese airports undergoing development and expansion, reflective of the country’s rapid urbanization. Visitors are invited to walk across the carpets, like the travellers who pass through these airports, and when the exhibition is finished, they will bear the traces of those who have passed by.

HARMONIOUS SOCIETY/天下无事

Responding to the Asia Triennial Manchester 14 (ATM14) theme of ‘conflict and compassion’, this exhibition will be seen from an international perspective, re-examining the ‘conflicts’ as well as the ‘harmony’ of China, or indeed, the Greater China, and that of Asia and the world.

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Vitrines sur l’Art  at Galeries Lafayette/东京宫巴黎老佛爷展览项目

 Exhibition period: 07.07.2014-.7.30.2014

Zhao Yao’s works “Now” and “Great Performance No.4” will be shown at Galeries Lafayette in Paris. In Vitrines surl’Art of the Galeries Lafayette, in the framework of the partnership with K11 Art Foundation and the Modules-Foundation Pierre Bergé – Yves Saint Lauren hors les murs.

Vitrines surl’Art:
For the 6th consecutive year, Galeries Lafayette presents the event “Vitrines sur l’Art” from the 7th to the 30th July 2014 in Paris. Museums and arts centres are invited to sponsor window displays at the Haussmann store. This year, each institution teams up with one artist who makes one (or several) previously unseen installations for the windows. Through the works of the artists on display, visitors will have a panoramic vision of creation and design today and the cultural offerings of their city.
“Vitrines sur l’Art” forms part of Galeries Lafayette’s commitment connecting it with creation and design. Founded to democratize fashion and make the beautiful accessible to all, Galeries Lafayette puts its trust in artists to enlighten us on the future and open our eyes to the world of possibilities before us.
Curator Jo-ey Tang selected Zhao Yao as the artist of 2014. This is also the first time that Palais de Tokyo works with Chinese artist on the “Vitrines sur l’Art” project.
 

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Focus Beijing – De Heus-Zomer Collection

聚焦北京:德赫斯-佐莫收藏展

荷兰鹿特丹波伊曼斯·范伯宁恩美术馆
2014.06.14 – 2014.09.21

Zhao Yao, I am your night nr 9, 2011, Collection De Heus-Zomer

This summer Museum Boijmans Van Beuningen is showing a selection of contemporary Chinese art from the collection of Henk and Victoria de Heus-Zomer. Acquaint yourself with two generations of Chinese artists in the galleries around the Bodon Gallery. The exhibition provides a broad survey of developments in contemporary art in Beijing. The works are being publicly exhibited for the first time.

The exhibition ‘Focus Beijing’ features the work of two generations of prominent artists from Beijing. The first generation grew up in the 1950s and 1960s. They include Zhang Dali (Harbin, 1963), Zhang Xiaogang (Kunming, 1958), Hai Bo (Changchun, 1962) and Ai Weiwei (Beijing, 1957). Their work shows a strong sense of political engagement, referring to China’s traumatic history and the social and cultural revolutions of recent decades. The second generation grew up in the 1970s and 1980s: the period of China’s Open Door Policy. Artists such as Qiu Xiaofei (Hoerbin, 1977), Wang Guangle (Fujian, 1976) and Liang Yuanwei (Xi’an, 1977) were born in a period in which Chinese society became more oriented towards the West, a period of massive economic growth and new markets. Individuality and intuition are key to their artistic practice. They are informed better about international art developments than their Western counterparts are about current developments in Chinese art. The exhibition highlights the different standpoints of each artist, presenting a broad view of contemporary art developments in Beijing, with Shanghai, as the capital of Chinese Art.

 

万物有形

The Armory Show /纽约军械库艺术博览会 2014

 Private View: Wednesday, 5 March 2014, 2pm to 5pm (by invitation only)
Vernissage: Wednesday, 5 March 2014, 5pm to 8pm (by invitation only)
Public Days: 6-9 March 2014

Zhao Yao’s diverse practice incorporates installation,painting, video, photography, and other media. With a conceptual rigor, wry wit, and critical imperative uncommon for an artist his age, Zhao’s artwork reects on and deconstructs modalities of production and dissemination within contemporary art.

For Armory Focus: China, Beijing Commune will present a set of new works from Zhao’s series “A Painting of Thought”along with a new installation piece The Form of the Ten Thousand Things . “A Painting of Thought” appropriates the visual language of brainteasers to form quasi-modernist painting installations on found fabric. A more direct translation of the series’s title is “Very Clever Painting,”hinting that the artist is not merely interested in the abstract aesthetics of mental puzzles, but also in the individual and cultural constructions of meaning, by both artist and viewer, that mediate the experience of art. The tongue-in-cheek name of the series may refer to the tendency among audiences to “decode” and reduce artworks into packaged, easily digestible messages.

Zhao’s new installation piece The Form of the Ten Thousand Things inspires its title from renowned East Asian art historian Lothar Ledderose’s book Ten Thousand Things. The book describes modular systems of cultural production in ancient China, that is, the production of objects and cultural systems out of standardized parts. For his piece, Zhao takes as his medium die-cutting molds used in printing. The artist is interested in the metaphorical implications of these molds, which embody a peculiar conceptual duality of form and formlessness, abstract concept and physical product.The plating of the metal and imitation monumental appearance of the work imply a sense of reverence, though not without skepticism.

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28 Chinese/中华廿八人

December 4, 2013 – August 1, 2014
二零一三年十二月四曰到二零一四年八月一日

28 Chinese is the culmination of the Rubells’ six research trips to China between 2001 and 2012 where they visited one hundred artists’ studios in Beijing, Chengdu, Guangzhou, Hangzhou, Hong Kong, Shanghai and Xi’an and acquired artwork from twenty-eight artists.

These artists will be represented by paintings, photographs, sculptures and video installations. This will be the first exhibition in North America for many of these artists. The oldest artist in the exhibition was born in 1954 and the youngest was born in 1986. A fully illustrated, 262 page catalog in Chinese and English with text from all of the artists will accompany the exhibition as well as a complementary audio tour. This exhibition will occupy the Foundation’s 28 galleries, 40,000 sq foot museum.

All of the artwork in the exhibition is from the permanent collection.

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china_china

“China China”, a group show of Chinese artists

18 May 2013 – 6 October 2013

PinchukArtCentre presents “China China”, a major group exhibition including eleven Chinese artists of different generations, focusing on the tension between individuality and collective thinking – a subject, which not only defined Chinese history and continuously shapes contemporary society but equally gains importance in the West.

The exhibition includes the works of Ai Weiwei, Cao Fei, Chen Zhen, Sun Xun, Sun Yuan & Peng Yu, Xu Zhen, Yan Xing, Yang Fudong, Zhang Huan, Zhao Yao, Zhao Zhao.

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Zhao Yao:Spirit Above All/精神高于一切

Feb 12, 2013 – Mar 16, 2013

6-10 Lexington Street, London, W1F 0LB

12 February – 16 March 2013

Opening: Monday, 11 February 2013, 6 – 8 p.m.

Pace London is pleased to present Spirit Above All, the first solo exhibition in the UK by the conceptual Chinese artist Zhao Yao. Spirit Above All will be on view at 6-10 Lexington Street from 12 February to 16 March 2013. The exhibition is a collaborative project between Pace London and Beijing Commune. Spirit Above All features seven new works created by Zhao Yao in 2012 and marks the first time that he has contextualised his paintings with photographic backdrops in a gallery. The exhibition features abstract geometric compositions painted in black, white, and grey on pieces of denim, a material that is recognised for its durability. Once completed, the artist brought the artworks to Tibet to be blessed by a “Living Buddha”, a reincarnation of a previous Buddha according to the Buddhist religious doctrine. Zhao Yao documented this process through photographs of the Tibetan landscape, which not only provide backdrops in the gallery but will also be presented in albums for visitors to look at while seated on the straw mats that form part of the installation.

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Zhao Yao: You Can’t See Me, You Can’t See Me /赵要:你看不见我,你看不见我

June 12 – August 20, 2012 | Beijing Commune, Beijing, China

“You Can’t See Me, You Can’t See Me” is a continuation of Zhao Yao’s solo exhibition from 2011, which opened on the same day in the same month this year. The paintings and installations showcased are reflections of time and space through a déjà-vu-esque approach re-examining the validity and meaning of an exhibition. This show features reproductions, enlargements, and scaled-down versions of works from the previous year. In addition, few pieces from the prior show are borrowed back from collectors to be included in the 2012 show. Zhao deliberately intertwines the relationship and roles of artists, viewers, gallerist, and collectors by presenting these works
together in this show.

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ON | OFF: CHINA’S YOUNG ARTISTS IN CONCEPT AND PRACTICE/中文

The Ullens Center for Contemporary Art opens its 2013 program with ON | OFF: China’s Young Artists in Concept and Practice. This groundbreaking exhibition, which will occupy all UCCA exhibition spaces, marks the most comprehensive survey to date of the generation of artists born after the death of Mao and the end of the Cultural Revolution, and at the dawn of the country’s era of opening and reform. Unparalleled in scope and unprecedented in concept, ON | OFF will feature 50 commissioned works by 50 artists and artist groups.

Curated by Bao Dong and Sun Dongdong, ON | OFF is an effort to effectively document a new generation of Chinese artists born after 1975 who have “grown up in a society and culture beset by binaries, constantly toggling between extremes.” The title ON | OFF, which comes from the graphical interface of a common VPN (virtual private network) software used to scale China’s Internet firewall, represents this binary condition at its simplest and most direct. Details »

Smile-01

51㎡:3# 赵要

2009.12.12 – 2009.12.26

策展人:唐昕,苏文祥

 赵要在他的到目前为止并不算长的艺术经历中,曾一度沉迷于摄影。那是一门将物质和形象如何留驻的技艺,通过对它们的定格以及曝光和显影,得到人们关切的图像。不过,从艺术家开始留意平板扫描技术起,就注定了他并不能成为一个老实的摄影家,他通过摆弄静物随扫描头一起运动,最终创造出那些静中兼有运动痕迹的作品。正是这一探索过程给于自己超越传统关注的鼓励,赵要逐渐开始扩大了自己的兴趣范围。在一系列新的装置作品中,他不再关注像摄影术那样如何显现一个形象,而是让它们如何在作品中沉默,或者退隐,甚至消逝。那些被打磨的发亮的硬币,在去除得以标立国别与价值的形式之后,只留下更本质的基础的形状;花花绿绿的纸币上除了微笑的人物形象,其它区域一律被铅笔涂成死黑;如此,如硬币上抹除了图案只留有形象的对比,这些人物仿佛共处在一个更加公平安静的平台。还有将每天接触到的数字信息用彩色记号笔书写在长长地布条上,每一段长度的色彩即是对生活的丈量。而另一个,间或跳动的时间机器据艺术家说其规律来自网络聊天室,分秒的停顿背后饱含了大量的话语与倾诉的愿望,只是主体不在,仅剩有空洞的数字。