An Opera for Animals

百物曲

Jun 22, 2019 – Aug 25, 2019

Rockbund Art Museum, Shanghai and Para Site, Hong Kong are pleased to announce the opening of “An Opera for Animals” on June 22, 2019 at Rockbund Art Museum Shanghai. The exhibition runs through to 25 August 2019 and features 53 artists who challenge existing boundaries between art and other disciplines, including artisans, healers, teachers, researchers, filmmakers, choreographers, activists and poets.

“An Opera for Animals” takes the history of different versions of opera as a departure point to explore both contemporary and traditional uses of performance, fantasy, and group spectacles in relationship to the environments that they inhabit. Intimately connected to the making of myths, the fabrication of events, orchestration, and invention of new technologies, opera emerged seeking to synthesize different aesthetic forms into a unified experience audiences could immerse themselves within. Like the complex history of the museum or exhibition, it has gradually developed into another collective kind of ritual. At the height of its development in the West, opera increasingly became conjoined to the vision and forceful influence of colonization, and we re-contemplate the medium as a compromised interface that precipitated struggles with indigenous worlds and other knowledge systems.

 

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Signals from Heaven, Signals from Heaven.

有神的信号,有神的信号。

11. 3 – 12. 25. 2018

Beijing Commune is delighted to announce the opening, on November 3rd, 2018, of Zhao Yao’s newest exhibition: “Signals from Heaven, Signals from Heaven.” This is Zhao Yao’s fourth personal exhibition at Beijing Commune Gallery, where it will be on display until December 25th.

The works presented in this exhibition constitute a whole new development for the artist, following his project “The Spirit Above All” (2016-2018). Taking personal and social experience as his starting point, Zhao Yao pursues his questioning on the topic of universal questions and spiritual matters.

Zhao Yao’s work has always focused on the psychological complexes and rational consciousness within various social backgrounds and in different cultures. His installations, paintings, and video works rely notably on such fundamen- tal elements as the perception of forms, or the tactile sense, in order to represent people’s understanding of art, and experiential cognition.

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The Power of Nature:A Ten Thousand Square Meter Painting in Beijing

自然的力量:一万平米作品在北京

2018.5.18

尤伦斯当代艺术中心(UCCA)携手艺术家赵要,于2018年5月18日在北京工人体育场呈现艺术项目“自然的力量:一万平米作品在北京”。此次项目将呈现艺术家历时三年完成的10, 000平米大型装置作品:艺术家将这件长116米、宽 86米的大型装置作品置于人迹罕至的自然环境中,经历半年的风吹日晒后撤下并回收展示。这是作品撤回至城市后的首次展示,是作品最重要的发展和全新的延续。

2016年至2017年实施的此项目是艺术家赵要2013年于伦敦佩斯画廊举办的个展“精神高于一切”的延续和发展。这件巨幅的大型装置作品图形选自《很有想法的绘画》作品中相同的思维游戏图案,经过北京工厂一年多的准备和制作后于2016 年 10月运抵实施地。2016年11月,150多位当地村民一起用一整天的时间,将其固定在海拔近5, 000米的无人区雪山山顶,将代表都市与现代化审美的抽象几何图案暴露在人迹罕至的环境里,在漫长冬季的恶劣自然中接受大风大雪的浸染和日月星辰的照耀。经过近半年的风吹日晒,浮华尽去,色彩渐褪,自然与人文的种种痕迹完整地留在了作品的表面。约翰·沃尔夫冈·冯·歌德在其作品《少年维特之烦恼》中写道:“只有自然,才是无穷丰富,只有自然才能造就大艺术家。”2017年5月,作品顺利撤下并运回至北京,自此开始在城市中的巡回。2018年5月18日,这块蕴含丰富经历、保留诸多痕迹的大型装置作品被带到位于繁华都市中心的北京工人体育场,第一次完全展开呈现。此前的自然与人文经历被注入新的展示空间中,使现代性和都市化的丰富历史文化认知与记忆在此汇聚。艺术家期望以此触发久居在现代化都市里的人们心中对自然精神的向往和对坚韧意志的追求。 Details »

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Zhao Yao Spirit Above All, 2016

【预告】赵要最新10000m²大型装置”精神高于一切”11月23日即将呈现

2016.11.23  Spirit Above All

10, 000-square-meters work

Will be on display here

On November 23, 2016, Zhao Yao’s latest large-scale art work, Spirit Above All, will be carried out at Moye Temple in Baizha at Nangqian County, Yushu autonomous prefecture, Qinghai province. The 116-meter-wide-and-86-meter-long work is the continuation and development of Zhao Yao’s 2012 work of the same name, Spirit Above All. After more than two years’ preparation and production, the work has been successfully transported to the mountain of Moye Temple at the end of October. With the assistance and support of the temple and Chakme Rinpoche , the work will be carried to the snowy summit by more than 100 local villagers and then unfolded there, almost 5000 meters high above sea level. Selecting patterns of thinking puzzles from the series A Painting of Thought and employing large-scale Tibetan Thang-ga cloth sticker technique, the new Spirit Above All is produced according to the size of Thang-ga at Moye Temple (120×80 meters). The 10, 000-square-meters work will be installed at the mountain top, alongside the existing Buddhist sutra streamers, white pagoda, and cliffside murals in the valley, echoing the local natural and cultural environment. The work will be exposed to natural environment for a whole winter and then be collected and displayed. The project aims to establish multiple cultural projects via local cooperation under the theme of “drying painting”. Meanwhile, various changes of the work will be monitored and recorded, throughout which process the work will accept and welcome visitors continuously.

Please stay tuned!

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Absolute Collection Guideline

绝对收藏指南

2015.98-10.8

Sifang Art Museum is pleased to present its first collection exhibition titled “Absolute Collection Guideline”, on view from June 8th – August 8th, 2015 at 9 Zhenqi Road, Nanjing. Based on the museum’s permanent collection, the exhibition will have a strong focus on recently acquired works from over twenty Chinese and international contemporary artists. This marks the first time for the museum collection to be open to public. The show will explore the various forms of expressions through a range of medias practiced by contemporary artists today. As it’s a loosely curated collection show, viewers can spend more time to reconnect the various points of ideas that exist between artworks, as well as to rediscover the power of individual works of art. Significant works from the prestigious Hugo Boss Prize winner Paul Chan and Danh Vo will be presented alongside a large scale venetian blind installation by acclaimed South Korean artist Haegue Yang. Major portion of the show consists of Chinese artists of both established and up-coming nature such as Wang Xinwei, Qui Xiaofei, Li Ming, Zhao Yao etc, as Chinese contemporary art still makes up most of the museum’s permanent collection. Japanese artists Takashi Murakami, Yayoi Kusama and Yoshitomo Nara are also part of the collection and are selected to be exhibited this time. Details »

昨天深夜Y先生和大艺术家们【在三里屯跳大神】

2015-09-15 18:26  Ymedia(Y先生)

昨天凌晨两点钟,Y先生在三里屯太古里漆黑的某家店里亲眼目击了一件非常可怕的事,天了噜!好像看见衣服成精了……

关于这件非常诡异的事,Y先生还寻找到了一段故事:

鬼 剪

从前有个裁缝,被个满脸是毛,长着五条腿的鬼爪了,鬼说他小姨子的小孩满月,他需要一件华丽,与众不同的衣服,叫裁缝做出来,如果做好了,送他件宝物;做的不好,就把他拿去喂虫。那个虫屁股上有根刺,背上像液晶大屏幕一样全部都是人的脸,应该是那些被它吃掉的人,身上花纹随着呼吸会动。裁缝只能答应。鬼给他一把剪刀,这把剪刀能剪很多东西:剪山,剪河,剪季节,还能剪时间和光。凭借着自己的才华,加上这把剪刀,经过好久终于把衣服做出来了。鬼也说话算话,把剪刀送给了他。很多年过去了,这把剪刀今天在哪谁也不知道…

好了!Y先生不犯中二病了,昨天夜里也没看见鬼。Y先生只是昨天夜里两点围观了一下三位大艺术家何岸、陆平原、赵要以及UCCA的尤馆长一起在三里屯太古里的JNBY美丽旗舰店里布了一个展。而前面那段鬼故事,正是其中一位大艺术家陆平原为这个展览写的。

没有错!尊贵的B神清场看卢浮宫,屌丝就只能排队2小时入场。谁要在今天和一大帮媒体抢开幕新闻,Y先生就是要尊贵的独家报导昨天晚上布展时候的大抓马啊。

还是别跟LOW货聊艺术了【因为他们都是这样看展的】

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About Painting Too

与绘画的动作有关

2015/08/22-2015/11/01

“About Painting Too” is the second in a series of exhibitions that each addresses a topical issue within art today, and with particular reference to art in China. This year, young curator Pu Hong was invited to present a topic of his choice. Continuing the critical engagement with painting that was explored in the first exhibition in the series, “About Painting” in the spring of 2014, Pu Hong again takes painting as his subject. Through the work of eight artists, he selects a range of older and more recent works, each of which is distinctive of the style and approach for which each of the artists are known. Several, including Xu Zhen/MadeIn, Zhang Enli and Ding Yi, are very well known indeed and have, in recent years, been the subject of a series of large-scale solo exhibitions in China and abroad. In their especial way, Wang Chuan, Yang Shu and Xu Hongming have each made a significant contribution to the language of abstract painting in China, while the younger artists included here, Wang Guangle and Zhao Yao, bring the distinct energy of their generation to the art they produce.

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Adventures of the Black Square:Abstract Art and Society 1915–2015

黑色方块的历险 |15 Jan – 6 Apr 2015 | Whitechapel Gallery

Opening on 15 January, this epic show takes Kazimir Malevich’s radical painting of a black square – first shown in Russia 100 years ago – as the emblem of a new art and a new society. The exhibition features over 100 artists who took up its legacy, from Buenos Aires to Tehran, London to Berlin, New York to Tel Aviv. Their paintings, photographs and sculptures symbolise Modernism’s utopian aspirations and breakdowns.

Presented chronologically the show follows four themes:

‘Utopia’ is expressed through Malevich’s black square, the progenitor of new aesthetic and political horizons, seized by artists from Vladimir Tatlin to Hélio Oiticica.

‘Architectonics’ presents floating geometries that propose new social spaces as imagined by Lyubov Popova or Piet Mondrian and Liam Gillick.

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Inside China

L’Intérieur du Géant | 20/10/2014 – 11/01/2015

With : Renaud JEREZ, LI Gang, Edwin LO, NADAR, Aude PARISET, WU Hao, YU Ji, ZHAO Yao, CHENG Ran

In the context of its international mission, the Palais de Tokyo chose curator Jo-ey Tang to travel to China and Southeast Asia. After a year of prospection, Inside China presents a selection of five Chinese artists in dialogue with three French artists including the renowned Nadar.

ZHAO YAOINSIDE CHINA : L’INTÉRIEUR DU GÉANT

 20/10/2014 – 11/01/2015

奇迹 美兰机场 小

Harmonious Society

天下无事 | Asia Triennial Manchester

27 SEPTEMBER – 23 NOVEMBER 2014
 

Wonder ©Zhao Yao 赵要

Zhao Yao has created contoured carpets featuring aerial views of Chinese airports undergoing development and expansion, reflective of the country’s rapid urbanization. Visitors are invited to walk across the carpets, like the travellers who pass through these airports, and when the exhibition is finished, they will bear the traces of those who have passed by.

Wonder ©Zhao Yao 赵要

Wonder ©Zhao Yao 赵要

HARMONIOUS SOCIETY/天下无事

Responding to the Asia Triennial Manchester 14 (ATM14) theme of ‘conflict and compassion’, this exhibition will be seen from an international perspective, re-examining the ‘conflicts’ as well as the ‘harmony’ of China, or indeed, the Greater China, and that of Asia and the world.

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Vitrines sur l’Art  at Galeries Lafayette

东京宫巴黎老佛爷展览项目

 Exhibition period: 07.07.2014-.7.30.2014

Zhao Yao’s works “Now” and “Great Performance No.4” will be shown at Galeries Lafayette in Paris. In Vitrines surl’Art of the Galeries Lafayette, in the framework of the partnership with K11 Art Foundation and the Modules-Foundation Pierre Bergé – Yves Saint Lauren hors les murs.

Vitrines surl’Art:
For the 6th consecutive year, Galeries Lafayette presents the event “Vitrines sur l’Art” from the 7th to the 30th July 2014 in Paris. Museums and arts centres are invited to sponsor window displays at the Haussmann store. This year, each institution teams up with one artist who makes one (or several) previously unseen installations for the windows. Through the works of the artists on display, visitors will have a panoramic vision of creation and design today and the cultural offerings of their city.

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Focus Beijing – De Heus-Zomer Collection

聚焦北京:德赫斯-佐莫收藏展

荷兰鹿特丹波伊曼斯·范伯宁恩美术馆
2014.06.14 – 2014.09.21

Zhao Yao, I am your night nr 9, 2011, Collection De Heus-Zomer

This summer Museum Boijmans Van Beuningen is showing a selection of contemporary Chinese art from the collection of Henk and Victoria de Heus-Zomer. Acquaint yourself with two generations of Chinese artists in the galleries around the Bodon Gallery. The exhibition provides a broad survey of developments in contemporary art in Beijing. The works are being publicly exhibited for the first time. Details »

万物有形

The Armory Show

纽约军械库艺术博览会 2014

 Private View: Wednesday, 5 March 2014, 2pm to 5pm (by invitation only)
Vernissage: Wednesday, 5 March 2014, 5pm to 8pm (by invitation only)
Public Days: 6-9 March 2014

Zhao Yao’s diverse practice incorporates installation,painting, video, photography, and other media. With a conceptual rigor, wry wit, and critical imperative uncommon for an artist his age, Zhao’s artwork reects on and deconstructs modalities of production and dissemination within contemporary art.

For Armory Focus: China, Beijing Commune will present a set of new works from Zhao’s series “A Painting of Thought”along with a new installation piece The Form of the Ten Thousand Things . “A Painting of Thought” appropriates the visual language of brainteasers to form quasi-modernist painting installations on found fabric. A more direct translation of the series’s title is “Very Clever Painting,”hinting that the artist is not merely interested in the abstract aesthetics of mental puzzles, but also in the individual and cultural constructions of meaning, by both artist and viewer, that mediate the experience of art. The tongue-in-cheek name of the series may refer to the tendency among audiences to “decode” and reduce artworks into packaged, easily digestible messages.

Zhao’s new installation piece The Form of the Ten Thousand Things inspires its title from renowned East Asian art historian Lothar Ledderose’s book Ten Thousand Things. The book describes modular systems of cultural production in ancient China, that is, the production of objects and cultural systems out of standardized parts. For his piece, Zhao takes as his medium die-cutting molds used in printing. The artist is interested in the metaphorical implications of these molds, which embody a peculiar conceptual duality of form and formlessness, abstract concept and physical product.The plating of the metal and imitation monumental appearance of the work imply a sense of reverence, though not without skepticism.

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28 Chinese

中华廿八人

December 4, 2013 – August 1, 2014

28 Chinese is the culmination of the Rubells’ six research trips to China between 2001 and 2012 where they visited one hundred artists’ studios in Beijing, Chengdu, Guangzhou, Hangzhou, Hong Kong, Shanghai and Xi’an and acquired artwork from twenty-eight artists.

These artists will be represented by paintings, photographs, sculptures and video installations. This will be the first exhibition in North America for many of these artists. The oldest artist in the exhibition was born in 1954 and the youngest was born in 1986. A fully illustrated, 262 page catalog in Chinese and English with text from all of the artists will accompany the exhibition as well as a complementary audio tour. This exhibition will occupy the Foundation’s 28 galleries, 40,000 sq foot museum.

All of the artwork in the exhibition is from the permanent collection.

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“China China”, a group show of Chinese artists

18 May 2013 – 6 October 2013
PinchukArtCentre presents “China China”, a major group exhibition including eleven Chinese artists of different generations, focusing on the tension between individuality and collective thinking – a subject, which not only defined Chinese history and continuously shapes contemporary society but equally gains importance in the West.

The exhibition includes the works of Ai Weiwei, Cao Fei, Chen Zhen, Sun Xun, Sun Yuan & Peng Yu, Xu Zhen, Yan Xing, Yang Fudong, Zhang Huan, Zhao Yao, Zhao Zhao.

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Zhao Yao:Spirit Above All

精神高于一切

Feb 12, 2013 – Mar 16, 2013

Pace London is pleased to present Spirit Above All, the first solo exhibition in the UK by the conceptual Chinese artist Zhao Yao. Spirit Above All will be on view at 6-10 Lexington Street from 12 February to 16 March 2013. The exhibition is a collaborative project between Pace London and Beijing Commune. Spirit Above All features seven new works created by Zhao Yao in 2012 and marks the first time that he has contextualised his paintings with photographic backdrops in a gallery. The exhibition features abstract geometric compositions painted in black, white, and grey on pieces of denim, a material that is recognised for its durability. Once completed, the artist brought the artworks to Tibet to be blessed by a “Living Buddha”, a reincarnation of a previous Buddha according to the Buddhist religious doctrine. Zhao Yao documented this process through photographs of the Tibetan landscape, which not only provide backdrops in the gallery but will also be presented in albums for visitors to look at while seated on the straw mats that form part of the installation.

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ON | OFF: China’s Young Artists in Concept and Practice

中文  |2013.1.13 – 2013.4.14 | UCCA

 

The Ullens Center for Contemporary Art opens its 2013 program with ON | OFF: China’s Young Artists in Concept and Practice. This groundbreaking exhibition, which will occupy all UCCA exhibition spaces, marks the most comprehensive survey to date of the generation of artists born after the death of Mao and the end of the Cultural Revolution, and at the dawn of the country’s era of opening and reform. Unparalleled in scope and unprecedented in concept, ON | OFF will feature 50 commissioned works by 50 artists and artist groups.

Curated by Bao Dong and Sun Dongdong, ON | OFF is an effort to effectively document a new generation of Chinese artists born after 1975 who have “grown up in a society and culture beset by binaries, constantly toggling between extremes.” The title ON | OFF, which comes from the graphical interface of a common VPN (virtual private network) software used to scale China’s Internet firewall, represents this binary condition at its simplest and most direct. Details »

Zhao Yao: You Can’t See Me, You Can’t See Me 

赵要:你看不见我,你看不见我

June 12 – August 20, 2012 | Beijing Commune, Beijing

“You Can’t See Me, You Can’t See Me” is a continuation of Zhao Yao’s solo exhibition from 2011, which opened on the same day in the same month this year. The paintings and installations showcased are reflections of time and space through a déjà-vu-esque approach re-examining the validity and meaning of an exhibition. This show features reproductions, enlargements, and scaled-down versions of works from the previous year. In addition, few pieces from the prior show are borrowed back from collectors to be included in the 2012 show. Zhao deliberately intertwines the relationship and roles of artists, viewers, gallerist, and collectors by presenting these workstogether in this show.

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51㎡:3# ZhaoYao

51㎡:3# 赵要

2009.12.12 – 2009.12.26 | Curators: TANG Xin, SU Wenxiang|Taikang Space

“51m2” aims to provide a platform for artists, particularly young artists, to review their recent works through a series of consecutive or non-consecutive exhibitions and activities. As an exploration outside of the exhibition system, the project hopes to provide support for artists to create subjectively and independently, thereby enriching and broadening our experiences in artistic practice. In the future, we will be able to summarize the artistic reality from this period of accumulation.
In a series of recently-created installations, Zhao Yao stopped focusing on the imaging function of photography. On the contrary, the artist tried to create a sense of silence, withdrawal or even passage with all the images in his works. Details »